podcasts

Episode 240

February 1, 2020 by Sara

In this episode I share the details of two finished projects and my recent visit to Vogue Knitting Live in NYC.

Katy of Katrinkles demonstrates a new tool from her shop: a small, finger-held distaff for spinning fine yarn on small spindles.

I was so fortunate to meet two fellow admirers of Marie Wallin’s designs. Admittedly, my selfie game is not too strong. Check out Dawn and Andrea in their beautiful Bressay sweaters on Ravelry. I just love their color selections. These two convinced me that Bressay will be my next garment!

Here is Robin of Birch Hollow Fibers, posing with Mary Jeanne Packer of the Battenkill Fiber Mill. Robin was one of the VKL vendors showcasing hand-dyed yarn that was spun right in the Hudson Valley. Another is Rebecca of Fuse Fiber Studios. Check out her Comfort DK.

One of the Citémômes representatives posing before sections of an epic Impressionist mosaic. Find out more how you can knit a smile by visiting the organization’s website.

Allison and I visited the Shibui booth and gushed over samples of Julie Hoover’s latest designs, including Hahn, which is now in my Ravelry queue.

Completed Washington in Foster Sheep Farm’s Concordea.

Completed Skerries mitts, designed by Marie Wallin, knit primarily in British Breeds yarn from The Woolly Thistle.

Arrows and Doorways

The design for this super-cozy cowl was inspired by textiles in a hotel lobby. Concentric geometric shapes kept playing in my mind until finally I was able to chart the pattern and get it onto my needles. The interplay of this chevron-like patterning has a mesmerizing effect–while you’re knitting and when you wear the finished accessory.

Knit up a cowl with yarn from your stash, adding some magical new mini-skeins from your advent calendar, or exchange leftover yarn with a friend. The design invites frequent color changes, and makes an ideal knit for the advent season. It could be just as striking knit with two high-contrast colors.

While most cowls of this type are seamed within a band of a single color, this pattern incorporates a technique called stranded donut grafting, an incredibly clever and completely seamless graft that allows you to maintain colorwork patterning so that your starting and ending rounds are undetectable. Really! With many possibilities for color play and a new technique to add to your skill set, this cowl pattern is really an opportunity for knitters to level-up!

NEW PATTERN DESIGN!

ONE DARK BLUE NIGHT

This hat is the third in a series of patterns inspired by teachings in Clarissa Pinkola Estés’ Women Who Run with the Wolves. This time, I drew inspiration from Estés’ retelling of a Japanese tale, Tsukina Waguma or “The Crescent Moon Bear,” in which a young woman travels to the cave of an incredibly intimidating and ferocious bear. She makes several journeys to the cave, leaving food and quickly retreating, until “one dark blue night,” she musters the courage to stand her ground and ask for what she seeks--one hair from a moon-shaped patch on the bear’s chest--which she is granted. The young woman returns, triumphant, to the old healer who has sent her on this quest. She believes this single hair is the magic ingredient in solving the problem that plagues her. She holds it forth, but the healer tosses the hair into the flames. The young woman is in despair until she realizes the true lesson of her quest: that using her determination, courage, and patience, as she did with the crescent moon bear, will help her to confront the challenge at hand.

The moon phase motif of this colorwork hat is meant to capture the magic of a dark blue night--when the moon shines brightly overhead, the frosty air sparkles with possibility, and we succeed in summoning accumulated wisdom from deep within ourselves so that we can apply it to our own healing. Choose colors to conjure a wintery night sky, or select a palette of your signature colors.

Available on Ravelry December 20th.

Yarns at Yin Hoo

Episode 240

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